Tag Archives: graphics

Self Publishing: Cover Tips

In my last post, A Cover is Worth . . ., I talked about the importance of your book cover. In this post, I’ll share my tips for creating an effective cover.

Create one cover for all formats
Format your cover with enough pixels to meet the specs of all your publishing venues.

  • Smashwords and Apple require a minimum width of 1400 pixels, with the height greater than width.
  • ACX (Audible) requires a cover which is 2500 pixels, square.
  • Createspace requires 300 ppi.
  • KDP (Amazon) requires a minimum of 625 pixels wide and a minimum 1000pixels tall. Preferred dimensions are 1563 by 2500 and a height/width ratio of 1.6

Create a master cover file using a layer for each image and piece of text (in Photoshop, this is .psd), then tweak your .psd to fit different formats. I like a wrap-around cover for my paperbacks, so I start with that. I can crop out the front cover for eBooks. A wrap-around image also gives me the extra width for my audio cover. Another option is to use a front cover image that is 2500 pixels wide and crop the height for your audio cover.

Things to keep in mind:
Periodically scale your view down to the size of a postage stamp to see if your cover will pop in Amazon searches and “also boughts.” Is the title legible?

Research other covers in your genre. You want to stand out, but also follow genre conventions well enough that people will know what they’re getting.

Take your time. Look at your cover over a period of days. Today’s great idea may be tomorrow’s vomit-fest.

Your cover should reflect the mood of your book more than anything. Color is the most immediate signifier of mood. Think bright colors for fluff, pastels for romance, dark for thrillers, faded images for nostalgia.

Keep your fonts big, simple and bold.

Use the best art you can get for your cover, but don’t let it overwhelm the title and author. Don’t be afraid to overlap your image with text.

If you are using stock art, run a search on your image to see if it is overused. You may discover that it is associated with other products that would not reflect well on your book.

If you like a certain artist’s style, consider asking them about creating a custom image for your cover. It may cost less than you think.

Cover art does not need to be a literal illustration of your book, as long as it conveys an appropriate idea.

Red, yellow and orange on your cover will pop out and draw attention. A little will go a long way. Don’t overdo it!

You can use layer style settings to set off your text from your background. Subtle adjustments can make your text easier to read. Be careful about going overboard here, it can look gimmicky.

Self Publishing: A Cover Is Worth . . .

Last weekend I gave a talk about self-publishing at the Regional Gathering of the Cincinnati Mensa chapter, invited by John Cunningham (AKA “Terry Dunn”), my one-man street team. As I spent my odd moments over the past couple months compiling the distilled wisdom of my two years as a self-published author, it seems like a waste not to share this information here. This is the first in a series of blogs derived from that talk.

I couldn’t complete the title of this blog because I can’t quantify the value of a good cover. I won’t say that people buy books because of the cover (though some fans report buying my first book because of the fetching portrait of Max on the front), but the cover conveys the first impression of your book, and may be your only opportunity to grab someone’s attention.

The digital landscape that makes it possible for me to earn a living as a writer also changes the way books are viewed and bought.

At a brick and mortar store, you are given a limited number of options in your chosen genre and are likely to pull out several to flip through. Unless the publisher has paid for a front-facing display, your first contact with a book is via the title on the spine. A nice cover is an asset, but is not necessarily involved in the decision to pick up a book.

Compare this with your experience at an online book store. Whether you browse categories or search keywords, you are confronted with a glut of postage stamp sized images accompanied by text. The image that catches your eye first has the best chance of being clicked. That takes you to a product page, away from the other books.

You have 1/2 second to grab someone’s attention with your cover. If you succeed with this, you have two to four sentences to keep it with your blurb. If you succeed here, people will do one or several of the following things: Buy your book (Yay!); Skip to the “Look Inside,” where you have a page or so to sell them with your prose (or not); or check out your reviews (A portion of your product page over which you have no control).

Unless you have been referred to a specific book by some means, the entire process of selecting a book online begins with the cover. I have had one person argue that they pay no attention to covers. I would argue back, based on my background in the visual arts, that we are affected by visuals whether we are aware of it or not.

If you have to make a choice in where to invest hard cash in publishing your book, put it on the cover. Formatting can easily be done by anyone willing to read Mark Coker’s free style guide at Smashwords. As a writer, you likely know other writers you can trade with for beta-reading/proofing/editing. Unless you’ve got mad graphic skills, I suggest getting a pro cover.

Next: Tips for creating an effective cover.